The Times said "reading the scripts is like hearing two different versions of the same song, one by Eddie Van Halen, the other by Wynton Marsalis." įiggis changed key characters and added a subplot about a friend who is dying of AIDS. Mike's version focuses more on the consequences." įiggis changed the scripts significantly. Joe's script was about the couple's relationship. We wanted an American 'Last Tango in Paris,' a film that explores sexual politics and hypocrisy.
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New Line's President Mike De Luca said Figgis' reworking of material "fine with us, because has a vision of how to bring the most to the material.
Joe's script had something that was a lot less formulaic than the other scripts I was seeing." įiggis said he was attracted to the idea of making a big budget film because he could "have a reasonable budget for the music and control of the music" for the first time in his career, and final cut of the film. "But I'm not going to be swayed by popular opinion. "I expect people will look at me like I've defected to the Fascist Party," said Figgis of working on an erotic thriller. Figgis agreed to direct the film for a fee of around $2.5 million if he could rewrite the script and shoot the film in an informal style, using multiple cameras and allowing improvisation. New Line then approached Mike Figgis who was coming off Leaving Las Vegas. Lyne decided to drop out to helm the remake of Lolita (1997). Its first 65 pages are given over to an Olympic decathlon-style sexual encounter between the couple, with almost as much trash talk about sex as sex itself." Pre-production According to the Los Angeles Times, his "first draft certainly wasn't the sort of script you'd want to give Bob Dole for bedtime reading. Now I am 50, I am sure of the difference." Įszterhas handed in his script in early 1995. It's not just the sex, it's to do with the heart, not the glands. When the couple in the film have a one-night stand, "They talk, they have sex, they make love, and I distinguish between the two things. Robert Shaye of New Line said, "With Joe Eszterhas and Adrian Lyne, you're more than investing in an idea, you're investing in a film with a world- class screenwriter and director who can attract world-class talent." Shaye said he regarded the pitch as "a completed package than notes on a piece of paper." Įszterhas says the film was based on the break up of his marriage. Lyne would be paid $250,000 to help develop the script and have a final fee of $7 million. Part of the appeal of the deal was Adrian Lyne was attached to direct. The previous record was $1.6 million (against $3.4 million) paid to Eszterhas by producer Jon Peters to adapt a book about John Gotti for Columbia Pictures. "No one has ever paid this for a movie idea," said Eszterhas' agent Guy McElwaine.
In 1994, Eszterhas sold a four-page outline for One Night Stand to New Line Pictures for $2.5 million, with an additional $1.5 million to be paid once filming had started. The film was based on a script by Joe Eszterhas then at a career peak due to the success of Basic Instinct (1992). Wesley Snipes as Maximilian "Max" Carlyle.Facing Karen sends Max into an emotional tailspin, and he realizes that he must tell Mimi the truth about his indiscretion. Max meets Charlie's brother Vernon ( Kyle MacLachlan) and is introduced to his new wife-Karen. A year later, Max and Mimi fly to New York to visit his close friend Charlie ( Robert Downey Jr.), who is near death from AIDS.
When he returns home, Max seems distant and unhappy, though Mimi can't tell why and Max won't say. While visiting New York City, Max meets Karen ( Nastassja Kinski) by chance after missing a flight circumstances keep bringing them together over the course of the evening, and they end up spending the night together. Max lives in Los Angeles, where he has a successful career directing television commercials and is happily married to Mimi ( Ming-Na), with whom he has two children. The film is narrated by Max Carlyle ( Wesley Snipes).
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